XL Recordings

Here on the XL Recordings page you will find all the information you need to submit your mastered demo track quickly.
XL Recordings will accept song demo’s in the Electronica music genre at the moment.
So please check carefully if you demo do fit the genre(s) where XL Recordings is active.

XL Recordings - Electronica - United Kingdom

XL Recordings

XL Records is known for their musical artists like Radiohead and Adele. They were founded in 1989 by Richard Russell, an independent record label which has released albums such as XLCD, XLP and XLS. The company also created the compilation series called XXLCD

Some of these records are available to buy on Amazon or iTunes while others can be streamed online through Spotify when they release new music! If you’re interested in sending your demo song to this recording studio before it gets mastered here’s one place where I found a good offer: AudiobyRay offers mastering services at affordable prices with great reviews from musicians who have used them.”

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XL Recordings

Who is signed to XL Recordings?

XL Recordings is a music label that has been operating since 1989. The company was founded by Richard Russell and originally began as an independent record store, also called “Xl”. In the early 90s they launched XL-Recordings with what became one of their most successful artists being Radiohead. By 2008, this London based indie had signed on other well known bands such as Adele, Dizzee Rascal or Vampire Weekend to name but few. Artists signed to Xl Recordings include:AdeleArcaAzealia BanksBeckDizzee RascalElectric SixFKA TwigsGiggsGil Scott-HeronGotan ProjectThe HorrorsYaejiJai PaulJungleKing KruleLemon JellyM.I.A.NinesPeachesThe ProdigyRadioheadSamphaSBTRKTSigur RósTyler, the CreatorVampire WeekendThe White Stripes, and The xx.  

How do I contact XL Records?

To contact XL Records, use the following address: repertoire@xlrecordings.com  

When did XL Recordings start?

XL Recordings did start in 1989 when three men, Nick Halkes, Tim Palmer and Richard Russell with Beggars Banquet Records decided to create their own independent record label. The reason that they chose the name XL was because it is a word which means “extra large.” This British indie dance-punk rock music company has grown into one of the most commercially successful labels out there today.  

How do you send a demo to XL Records?

You can send a demo to XL Recordings by following their Twitter account. The email address is repertoire@xlrecordings.com            

Loopcloud Black Friday Deals

Genre(s) : Electronica
Location : United Kingdom
Facebook : https://www.facebook.com/xlrecordings/
Contact : not available
Demo : repertoire@xlrecordings.com
Website : not available

XL Recordings

XL Recordings has two SIC codes: 7929 and 792.

The NAICS codes for XL Recordings are [713, 71]. This company is a Limited Liability Company and its classification code is 713. The second number in the classification refers to what type of company they are; this one being an S Corporation with assets of $5-$25 million.

XL Recordings is based in London, Greater London. This company was formed by Richard Russell and Tim Palmer with the goal of putting out records that are daring but not experimental or obscure. XL also does a lot of reissues and compilations for major artists like The Beatles, David Bowie, Bob Dylan among others – over 3 dozen to be precise!

There about 45 people work at XL Recordings.

Jon Wilkinson, the Head of Press at XL Recordings in London, United Kingdom is a University educated man who has been working with press relations for over 18 years. During his time at Technique Publicity he developed an expertise in publicizing artist and band music to help them gain greater exposure on radio stations such as BBC Radio 1. Jon’s clients include Daft Punk (French House), Foals (Rock/Punk) and Primal Scream (Grunge). In 2003 He also started managing publicity campaigns for The Rolling Stones UK tour that year including News International’s “Who Are You?” campaign which ran before every TV programme broadcast across ITV1-4 channels between July 2005 – April 2006.”

Scott Wright is the Head of Creative and Marketing for XL Recordings. Scott’s role includes design, art direction, marketing strategy development and execution across all platforms; including physical product distribution (CDs/vinyl), digital music sales & streaming services such as iTunes or Spotify, merchandise licensing to third parties through their online store www.xlrecordingsstore.com and other retail outlets around the world like Urban Outfitters in North America & HMV UK among others.”

Dan Coyle is the Head of Social and Marketing Content for XL Recordings.
He’s an American from Chicago who studied journalism at Northwestern University, where he was editor-in-chief of his university paper. He started a blog in 2009 to cover music industry news called “The Altered Sound,” which led him to work as Managing Editor at Pitchfork Media before joining XL Records in 2012

XL Recording is a London based record label established in 1989

XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It is run and co-owned by Richard Russell since 1996.

Richard Russell (born March 18, 1971) is an English record producer and the owner of British record label XL Recordings.

XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It is run and co-owned by Richard Russell since 1996. It forms part of the Beggars Group. … The label releases albums worldwide and operates across a range of genres.

FAQ Record labels

Worldwide, most label contracts include a specific rule. They don’t actually allow their artists to be signed to multiple labels at once. However, there are ways to circumvent this. Through either loopholes in those contracts or by gaining permission from the labels, on rare occasions artists may be able to release certain records (sometimes limited to “non-albums”, ie. EPs, singles, mixtapes, etc.) on other record labels. Always keep this in mind when you sign a contract with a record label.

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    Sony Music Entertainment

    Sony Music Entertainment (SME) is another major player in the music industry, with a strong focus on pop and electronic music. Founded in 1929, SME has a long history of fostering the careers of some of the biggest names in the business, such as Michael Jackson, Beyoncé, and Calvin Harris. The company also owns a number of record labels, including Columbia, RCA, and Epic.

    Warner Music Group

    Warner Music Group (WMG) is known for its diverse roster of artists, spanning multiple genres including rock, pop, and hip-hop. Founded in 1958, WMG has a rich history of discovering and promoting some of the biggest names in music, including Led Zeppelin, Madonna, and Ed Sheeran. The company also owns a number of influential record labels, such as Atlantic, Warner Bros., and Reprise.

    EMI

    EMI is one of the oldest record labels in the world, having been founded in 1931. Throughout its history, EMI has been at the forefront of the music industry, discovering and promoting some of the biggest names in the business, including The Beatles, Coldplay, and Pink Floyd. EMI was acquired by Universal Music Group in 2012.

    The days, record labels can have an elaborate list of duties. The details my vary per music label. In most cases, record labels work directly with artists and producers to coordinate the writing and production of the recordings. After this, the coordination of the manufacturing follows and subsequently the distribution, marketing, promotion of the recording. All this is done to ensure the recording sells well around the world.

    The shorter the release time for compression, the louder a signal will be. The reason is that it takes less time for amplitude to return to normal after being compressed. Short release times cause distortion but the effect can have a beneficial result.

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  • Is it a good idea to mix and master your own music? When musicians mix their own records, it’s often all done within the same DAW session. Therefore it might be a good idea to wonder if you should do something that someone else can do better. A better recording makes a better rough mix, which makes a better final mix, which makes a better master. The perfect mastering is something Audiobyray Mastering can help you with.
    Mastering is the term most commonly used to refer to the process of taking an audio mix and preparing it for distribution. One goal of mastering is balancing and optimizing playback for all systems. Another thing mastering does for a mix, is to enhance specific characteristics. There are several considerations in this process: unifying the sound of a record, maintaining consistency across an album, and preparing for distribution. Mastering puts the final touches on a mix.

    Mastering can do a lot for your song but it really can’t fix it. This has to do with several factors. For starters, a mastering engineer deals with a track on macro levels. It can not effectively fix issues on a micro level. As you can probably imagine, mastering can’t add delays to just your vocal track. Despite the skills and experience of a mastering engineer, getting a good result naturally also depends on the material they have to work with.

    Why is mastering important?
    Audio mastering is the final step in a music production process. The mastering involves several audio processes. For example: with mastering you can emphasize or reduce frequencies to improve the overall mix. Also, with mastering you can fix problematic frequencies and improve imbalances missed in the mixing process. Aside from this, you can create tonal balance, so there is an even distribution of frequencies. Last but not least, you can manage dynamics with mastering, control transient spikes, and glue tracks. Audiobyray.com can be of help with all of the above.
    To get great mastering results, it’s important to correctly set your mixing levels. As long as your mixes give the mastering engineer room to work and cover your noise floor, then you’re in a good range. I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. These are however general guidelines. In the end, all mastering engineers adapt the level to their chain anyway.
    Providing a mix that is ideal for mastering takes in the amount of headroom in consideration. The general idea is: allow 6dB of headroom. Audiobyray Mastering recommends that the loudest part of the mix should be around -3db tot -5 db (below 0level). This encourages generally sane levels throughout the mix, it prevents any risk of inter-sample clipping and you still have masses of signal-to-noise ratio at 24-bit – and, plenty at 16 bits too, assuming you dither correctly. 
    Mastering most definitely makes a difference! A good mastering engineer will enhance your music. A mastering engineer like audiobyray.com understands the sound you’re going for will help get you there. Professional mastering is an art by itself.
    In fact, both eMastered and Landr operate in a similar way. In terms of speed, eMastered is faster with songs processed and available for download in under a minute. It takes about two minutes at Landr’s for a download to be sent by email. Currently eMastered is free to use, unlike Landr which can go up to $25 per month depending on how you want to use it. To get your track mastered, your can also choose for audiobyray.com.

    For those who have never heard of LANDR before, we’ll explain. It’s basically an online, automated mastering service. So, it doesn’t use human beings on the back end and it’s driven by an algorithm. You simply upload your tracks to this service and it automatically masters them. Then it allows you to download them instantly. Although it works okay, the system can never replace a real professional mastering engineer like audiobyray.com.

    In 2020 the Best Online Mastering Services were reviewed.

    The first spot is taken bij Abbey Road Studios, which is of course one of the world’s most iconic (mastering) studios. Runner-up is BandLab, which has become popular among indie musicians and artist. The third place goes out to Landr, a completely online and on algorithm based mastering platform. Fourth is Cloudbound, a mastering tool that is available 24/7. On the fifth spot we find Metropolis Studios and last but not least is eMastered. But of course, you can always choose for personal contact with a professional mastering engineer like audiobyray.com.

     

     

    Not everyone thinks the same on the matter of whether or not sending music into a professional mastering studio is a necessity. If the mix doesn’t need any modifying, this means that it is at a perfect volume level, the fades are well done, the EQ is consistent throughout, the compression is right on, and so on. In that case there’s no need for mastering. If these basics are not covered, audiobyray mastering can help you out.

    Mastering is the final step of audio post-production. The purpose of audio mastering is to balance sonic elements of a stereo mix. Mastering helps to optimize playback across all systems and media formats. Traditionally, mastering uses several tools like equalization, limiting, compression and stereo enhancement. Audiobyray.com is a specialist in all of the above.