PLUGIN & PRODUCTION GUIDE
6020 Ultimate EQ Native v7 Upgrade from v6
A detailed producer guide to 6020 Ultimate EQ Native v7 Upgrade from v6: workflow, edition differences, compatibility, features, limitations and related McDSP options.
- Optimization for Apple Silicon and Latest Intel Processors
- Two activations per license / subscription
- High definition updated user interfaces

SOUND & WORKFLOW
Hear it. See it. Explore it.

6020 Ultimate EQ Native v7 Upgrade from v6 product video
6020 Ultimate EQ Native v7 Upgrade from v6 product video
6020 Ultimate EQ Native v7 – Plugin Boutique
A closer look at the plug-in interface, controls and product artwork.

FROM THE DEVELOPER
McDSP Plugins
Explore more instruments, effects and production tools from this developer.
PRODUCER’S TAKE
Where does 6020 Ultimate EQ Native v7 Upgrade from v6 fit in your setup?
6020 Ultimate EQ Native v7 Upgrade from v6 is an eq production tool from McDSP Plugins. It fits sessions built around corrective equalization, broad tonal balance, resonance control and automated filter movement.
What stands out: Optimization for Apple Silicon and Latest Intel Processors; Two activations per license / subscription; High definition updated user interfaces.
Based on the currently verified product listing and cited sources.
SOUND & WORKFLOW
What 6020 Ultimate EQ Native v7 Upgrade from v6 brings to a session
Note: This product is an upgrade for owners of v6. The full version can be found here.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s decades of design experience.
All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers.
Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.
6020 EQ Modules
E670
Fairchild made not only great compressor/limiters, they also put out a few program equalizers. The Fairchild 664, a two band EQ, served as the basis for the E670 design. Gentle low and high shelving EQ, complimented by a mid band parametric, give the E670 a smooth sound, but the three bands (each with its own gain and frequency control) provide flexibility expected in the modern studio. Suitable for subtle adjustments in any mixing situation.
Moo Q
All tube designs are known for a warm tone with tons of headroom. The Moo Q delivers these qualities and more in a three band package.
iQ
The only two-band equalizer in the 6060 collection, the iQ is surprisingly adept at fine tuning mixes in any music genre. Tracks needing some low end ‘glow’ or high end ‘sheen’ can benefit from use of the iQ module.
E300 / E301
While there may be no electro-optical attenuation in these equalizers, McDSP wanted to have equalizer modules that complimented the Opto-C/L compressor modules in the 6060 Ultimate Module Collection plug-in. The Opto-C/L modules are good general purpose compressors, with the Opto-L module operating more like a vintage limiter. In that spirit, the E300/301 modules are very utilitarian as well. The E300 and E301 three-band modules have the same frequency and gain ranges, but the E301 is a tad narrower in bandwidth, especially at higher gain settings.
British-E
McDSP’s own FilterBank plug-in, originally released in 1998, harnessed the fundamental design characteristics of the Neve line of equalizers, most notably the 1069, 1073 and 1081, with its unique Peak, Slope, and Dip controls. The British E module uses this same FilterBank technology to create an amalgamation of great Neve equalizers. The classic hpf, low shelf, parametric, high shelf combination makes the British E module useful for most mixing situations.
EZ Q
The folks at dbx did not release any parametric equalizers to match their classic compressor product line. But if they did, here at McDSP we think it would have sounded like the EZ Q. Using a high pass filter to carve out the rumble, plus capable low and high shelfs, and a fairly flexible parametric, the EZ Q gets the job done.
EQ'76
This 6060 module draws from the UREI 545 parametric equalizer. The EQ’76 has four bands of paramtric equalization with a slight Q-gain dependency. The EQ’76 design is close to that of the E300/301 modules, but using a different set of frequency ranges and a more modern gain-dependent bandwidth design.
FRG EEE
What else can compliment a compressor nicknamed ‘The Frog’ (FRG444 from the 6030 Ultimate Compressor plug-in) than an equalizer with a name like FRG EEE (pronounced ‘froggy’). Two parametrics bounded by a high and low shelf pair, the FRG EEE is a capable equalizer, not unlike what is seen in modern channel strips in analog mixing consoles.
E357
The E357 is a 3-band EQ meant to work in tandem with the D357 compressor. The slopes are steeper than most other EQ modules, and have a bit of character (like the D357). Use with caution.
Features
- Optimization for Apple Silicon and Latest Intel Processors
- Two activations per license / subscription
- High definition updated user interfaces
- New presets
- Zero Latency Algorithms
- Double Precision Processing
- Anti-Clip Output Stage Topology
- Analog Saturation Modeling
- Mono and stereo versions
- 10 EQ modules in a single interface
- Input & output control
PRODUCER HIGHLIGHTS
The sounds and controls that matter
- Optimization for Apple Silicon and Latest Intel Processors
- Two activations per license / subscription
- High definition updated user interfaces
- New presets
- Zero Latency Algorithms
- Double Precision Processing
- Anti-Clip Output Stage Topology
- Analog Saturation Modeling
- Mono and stereo versions
- 10 EQ modules in a single interface
DEEP DIVE
6020 Ultimate EQ Native v7 Upgrade from v6 in the studio
Who this upgrade is for
6020 Ultimate EQ Native v7 Upgrade from v6 is an upgrade offer for an eligible owner of the v6 Native edition in the 6020 Ultimate EQ family. It is not a first-time full licence. Before checkout, confirm that the required v6 asset is present in the correct iLok account and that the retailer’s current eligibility wording matches the licence you own.
The listing calls out Anti-Clip Output Stage Topology, 10 EQ modules in a single interface and Optimization for Apple Silicon and Latest Intel Processors. Read those as migration reasons for this SKU, then decide whether the operational gain justifies changing a stable v6 setup.
Build a v6-to-v7 migration plan
Duplicate one important session before installing 6020 Ultimate EQ Native v7 Upgrade from v6. Bounce dry and processed references, export critical presets and note the old plug-in version. Open the copy after installation and compare automation, gain, side chains and rendered output before touching an active client or release project.
McDSP states that v7 no longer supports legacy VST, while current Native editions use AAX Native, AU and VST3. Producers with older VST sessions should inventory those instances first. A successful licence upgrade does not guarantee that an obsolete host format reappears in the original slot.
What to retest musically
The production role remains centred on resonance control, kick-and-bass separation and broad tonal balance. For 6020 Ultimate EQ Native v7 Upgrade from v6, listen for band interaction, filter slope, gain staging and the musical difference between narrow repair work and broad tonal moves rather than assuming a newer version automatically improves a finished mix.
Start with level-matched bypass, identify the audible problem in the full arrangement, and decide whether a filter, shelf or bell is the smallest effective move. For 6020 Ultimate EQ Native v7 Upgrade from v6, Sweep only to locate an issue; return to a musically judged gain and bandwidth. Run that test in both the archived v6 session and the v7 copy at matched output level. If the difference is inaudible and the old system remains supported, workflow, compatibility and security may be stronger upgrade reasons than tone alone.
Testing the new feature set
After recall is confirmed, audition Anti-Clip Output Stage Topology on a copy of the source and evaluate Optimization for Apple Silicon and Latest Intel Processors in a new preset rather than overwriting the old one. Compare CPU use and responsiveness in the same session section, at the same buffer and sample rate.
For dance music, audition low-frequency boosts against the kick and sub together, and test high-frequency shelves against hats, vocal sibilance and limiter behaviour. Save one v7-only preset and one neutral translation preset. That separation keeps new creative choices distinct from settings intended merely to reproduce an older mix.
After the migration
Keep the pre-upgrade archive until several real projects have passed recall, automation and bounce checks with 6020 Ultimate EQ Native v7 Upgrade from v6. During that period, log any changed preset name, missing legacy format or host-specific behaviour instead of relying on memory. Update studio templates only after the individual sessions are stable. For shared work, tell collaborators when 6020 Ultimate EQ moved to v7 and send a fresh reference stem. A measured transition makes the upgrade reversible long enough to protect active releases while still allowing current processor support and new activation options to enter the production workflow.
Ten equalizer modules in one shell
6020 Ultimate EQ Native v7 Upgrade from v6 is built around ten McDSP-designed EQ modules rather than one fixed band topology. In the upgraded build, the collection ranges from smooth program-style shelves to more assertive solid-state and console-inspired arrangements. That makes model selection part of the mix decision: choose the module for its control interaction and curve behaviour, not because its visual reference resembles famous hardware.
Create a neutral audition preset with equal input and output level, then move the same reference source through several modules using comparable boosts or cuts. In the upgraded build, the useful difference may be bandwidth, available frequency range, gain dependency or how quickly the interface leads to a musical setting.
Module roles and contrasting colours
During the v7 migration, the reference source description identifies designs such as E670 for smooth shelves plus a parametric middle band, Moo Q for a warm three-band approach, iQ for compact two-band finishing, E300/E301 for related utilitarian curves with different width, British-E for a FilterBank-derived console layout, and EQ’76 for four-band parametric work with gain-dependent behaviour. Other modules extend the collection further.
Do not treat those names as proof of component-level hardware emulation. McDSP presents the modules as original designs informed by familiar equalizer ideas. Audition their curves on the actual reference source and document the chosen module in the preset name.
A fast 6020 selection routine
Begin by classifying the task: filter rumble, add broad weight, create presence, remove a narrow resonance or reshape a bus. Shortlist two modules whose layouts suit that job. Match gain, make the smallest effective move and switch models without changing the musical objective. If one module invites a better result in fewer decisions, that v7 migration workflow advantage is part of its value.
For synths and drums, regression-test a smooth model with a more forward model in the drop. For vocals, include quiet consonants and the loudest belt. For the mix bus, keep boosts very small and repeat the test after any limiter, because EQ colour can alter downstream gain reduction.
6020 versus a single-character EQ
During the v7 migration, the 6020 is strongest when one migration project needs several EQ personalities inside a consistent interface. In the upgraded build, the 4020 Retro EQ is easier to learn as one gain-dependent four-band design. FilterBank offers its own established control system, while AE400 and AE600 focus on active and dynamic approaches. For the migrated project, select the module collection for breadth, not as an automatic replacement for every specialist.
Limit template choice: load one default module per recurring reference source role and explore alternatives only when the baseline fails. Too many models can slow decisions. A curated 6020 preset folder is more useful than scrolling all ten modules on every channel.
Sources and related McDSP pages
For 6020 Ultimate EQ Native v7 Upgrade from v6, AudiobyRay checks the live Plugin Boutique offer and uses McDSP’s official catalogue, support page and download area for context about the 6020 Ultimate EQ line. Relationships around 6020 Ultimate EQ come from discovered source links and the verified brand connection, not from keyword similarity alone.
From 6020 Ultimate EQ Native v7 Upgrade from v6, continue to matching editions, relevant McDSP bundles and processors that address resonance control or kick-and-bass separation. Recheck 6020 Ultimate EQ Native v7 Upgrade from v6 availability, compatibility and upgrade terms at the destination because those commercial details can change after this guide’s verification date.
Sources and fact-check
- Plugin Boutique live product listing — checked July 21, 2026
- McDSP official plug-in catalogue — checked July 21, 2026
- McDSP official plug-in support and system requirements — checked July 21, 2026
- McDSP official downloads — checked July 21, 2026
STUDIO COMPATIBILITY
Will it run in your DAW setup?
OS support
- macOS versions currently listed by McDSP support
- Windows 10 or 11
Studio computer requirements
- A compatible 64-bit DAW and current McDSP v7 installer
- A supported iLok authorisation method
DAW plug-in formats
- AAX Native
- AU
- VST3
Install and activation
- iLok 2 or 3, machine authorisation where supported, or iLok Cloud
- Two activations per current v7 licence or subscription
BEFORE YOU INSTALL
Manuals, installers and official support
Note: This product is an upgrade for owners of v6. The full version can be found here.
Important note: McDSP plugins require an iLok2 or iLok3 USB Smart Key, or a FREE iLok License Manager account and iLok Cloud session for authorisation. Each McDSP v7 plugin contains two activations per authorisation.
PRODUCER FAQ
Common setup and workflow questions
Which operating systems can run 6020 Ultimate EQ Native v7 Upgrade from v6?
macOS versions currently listed by McDSP support Windows 10 or 11
Which 6020 Ultimate EQ Native v7 Upgrade from v6 formats can I load in my DAW?
AAX Native AU VST3
What does 6020 Ultimate EQ Native v7 Upgrade from v6 need from my studio computer?
A compatible 64-bit DAW and current McDSP v7 installer A supported iLok authorisation method
How do I install and activate 6020 Ultimate EQ Native v7 Upgrade from v6?
iLok 2 or 3, machine authorisation where supported, or iLok Cloud Two activations per current v7 licence or subscription






