How to set your release time when mastering?
The release time is one of the most important and influential aspects of compression, especially during mastering.
It has the power to completely change how your track sounds by either attenuating transients or letting a portion of them pass through.
The timbre changes depending on whether you use shorter or longer release times- with anything below 50ms being too short for lower frequencies that can’t be compressed as much before distorting because it releases quicker than they play out in real life; while any length over 100ms will create an unnatural sound where long periods linger after each note ends, sounding sluggish rather than energetic like other instruments might at their chosen amplitude levels.
A release time is a duration of silence that occurs before the sound from an audio track starts to decay.
For example, if you are mastering and want your output to have a transparent or clean sound you will set it for 50 milliseconds in order to make sure that the amplitude of the tracks return back quickly after compression has occurred.
If you would like your sounds more glued together such as electronic music then setting this parameter between 200-500ms should be enough for what you need depending on how much louder than everything else around them they may become with longer settings.
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