Hi this is guy J and you’re watching
Loopmasters TV
highlights of the year for me till now
playing Evelyn heard a lot about the
club later with Joan in a January a tour
in South America
I had six gigs traveling all over when
Osiris was just amazing and waiting to
go black scenes and doing this package
full of masters it’s something new for
me hope to give you know the best I can
of what I put the way I could use to
share with new producers or experienced
producers and launching my level lost
and found a letter and in July so yeah
the EP full of masters it included four
tracks transitions cloud nine phases and
Rose the trust from a takeout steeples
and a progressive and yeah the day P
will put the parts of the tracks also so
people can remix it or use it for their
own tracks it doesn’t matter what type
of what John of house music they produce
they can I use it for a very funny
channel to be useful the style of the
tracks on DP it’s from tech-house deep
house to a progressive the transition
truck itself is I think it’s a good
interval truck you know the BPM it’s
from a hundred and twenty-one to twenty
five so yeah it’s diverse I think the
new concept behind this EP it’s not just
to give a part for producers a rocky
kicks kick hi-hat so since it’s to give
it a finished product and then all
the parts for other artists to remix it
to do something be create be wild
what was different this time making the
tracks from follow-up masters than
producing we usually tracks it said the
I think they are left in the tracks
still room for other producers to add
their own touching it then a giving a
final truck when there is no more money
want to add if it’s a loop so musical
ideas I see young producers –
experienced producers using the loops I
tried really to give the best I can in
this package and a good sound of since
baseline high hats kickstand yeah I
think it could be useful to everyone
doesn’t matter what you produce yeah if
someone I will make a big hit
underground truck using the sample say
it doesn’t matter yeah it’s something to
give away so it doesn’t matter what comes
out of it there if it’s the genre-wise
so how big it would be I mean yet
the goal it’s to give something that people
can be creative within the studio
I’m still working on Cuba’s it’s the
software I started working with I’m
using an I have an Adam a7 monitors if I
will see is a synthesizer and a poly
vulva and geometry no electronic machine
drum and a bogus lymphatic for bass
lines a tip I can give for new producers
is it’s to stay original with your
productions it’s good to take examples
from other producers but when you create
something goes wild in the studio you know
use your imagination you know what you
could it’s you know it’s you using
electronic so it’s easy to create
something the undulating create
something new or just keep it aside so
just be creative in it and to be patient
because there’s a lot of producers out
there so that’s the that’s my advice
you
