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(OLD VERSION) 5 Tips for Recording Ambisonics | Music Production Technology | Microphones | Part 3/7

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In this video, John Escobar, a professor in the Music Production and Engineering department for Berklee College of Music, reveals five tips for recording ambisonics, including the importance of using digital recorders, signal calibration, mic placement, monitoring, and documentation. He also discusses how much headroom to leave, and how to record in different situations, such as ambient recording, music recording, and when syncing to a picture.

About John Escobar:
John Escobar is a producer, engineer, multi-instrumentalist, and educator, teaching several courses in the Music Production and Engineering department for Berklee College of Music. He has worked with a wide range of artists, including Grammy-winning folk artist Sarah Jarosz, jazz guitar virtuoso Larry Coryell, violinist Joshua Bell, and many others. He has also taught at Harvard, Boston University, University of Southern California, and Northeastern University.

About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee’s acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
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[email protected]
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Music Production | Ambisonic Sound | Ambisonics | Surround Sound | 360-Degree Sound | Microphones | Mixing | Recording | Mastering | Microphones | Digital Recording | Signal Calibration | Mic Placement | Monitoring | Documentation | Ambient Recording | John Escobar | Berklee | Berklee Online | Berklee College of Music

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