PLUGIN & PRODUCTION GUIDE
Acoustica Post Production Suite
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- Acoustica Post Production Suite from Acon Digital for mixing, mastering, editing or restoration workflows
- Designed for practical studio use with a clear signal-processing purpose
- Suitable for producers, engineers, editors and post-production users

SOUND & WORKFLOW
Hear it. See it. Explore it.
Acoustica Post Production Suite product video
Acoustica Post Production Suite product video
Acoustica Post Production Suite product video

FROM THE DEVELOPER
Acon Digital Plugins
Explore more instruments, effects and production tools from this developer.
PRODUCER’S TAKE
Where does Acoustica Post Production Suite fit in your setup?
Acoustica Post Production Suite is an effect plug-in from Acon Digital Plugins.
What stands out: Acoustica Post Production Suite from Acon Digital for mixing, mastering, editing or restoration workflows; Designed for practical studio use with a clear signal-processing purpose; Suitable for producers, engineers, editors and post-production users.
Based on the currently verified product listing and cited sources.
SOUND & WORKFLOW
What Acoustica Post Production Suite brings to a session
Do you need even more power tools for post-production? You can save money with the Acoustica Post Production Suite that includes Acon Digital's three most popular products for post production duties.
Acoustica 7 Premium Edition
Acoustica 7 is the perfect solution for audio editing, mastering and restoration work on both Mac and PC. The application is available in a Premium Edition and a lower cost Standard Edition. Both editions offer a new Remix tool based on the Spleeter artificial intelligence models which can split a complete mix in up to five stems and remix them in real-time. You can also import a complete mix into a multitrack session and let Acoustica create separate tracks for each stem automatically.
The Premium Edition adds a new Extract Dialogue tool that automatically removes background noise from dialogue. Furthermore, the Premium Edition offers advanced features such as spectral editing with powerful retouch algorithms and multi-channel support up to 7.1 surround. Acon Digital's award-winning plug-ins Equalize 2, Verberate 2, Restoration Suite 2 and Mastering Suite are included. The Transfer plug-in makes audio transfers between Pro Tools and Acoustica a breeze.
Included Plugins
- Restoration Suite 2 — DeClick 2, DeClip 2, DeHum 2 and DeNoise 2.
- Mastering Suite — Dynamics, Multiband Dynamics, Limit, Equalize 2 and Dither.
- Verberate 2
- Extract:Dialogue - Automatically reduces background noise in dialogue recordings.
- DeWind:Dialogue - Automatically reduces wind noise from dialogue.
- DeRustle:Dialogue - Automatically reduces clothing rustle and microphone bump noise from lavalier recordings.
- DeBuzz:Dialogue - Automatically reduces buzz and hum noises such as neon light buzz, AC power hum, RF transmission interference from dialogue recordings
- Transfer — Pro Tools to Acoustica audio transfer plug-in
What's new in version 7.3?
- Native support for Apple Silicon processors such as Apple M1
- Acoustica Premium Edition adds four new plug-ins for dialogue post-production based on deep learning:
- Extract:Dialogue
- DeWind:Dialogue
- DeRustle:Dialogue
- DeBuzz:Dialogue
- Improved selection tools in the spectral editor: Geometries can now be moved and resized
- Improved Remix tool with adjustable sensitivity for each stem and a separate download is no longer required
- Improved audio quality of the Time Stretch and Transpose tools
- Several improvements in the multitrack editor, including clip fades, region selection with optional looping and snapping
- Files can now be dragged from the Media File Browser and dropped in the clip editor, multitrack sessions or CD projects
Equalize 2
The new Equalize 2 — now with Tilt and Bandpass Filters
- Eight different band filter types — low cut, low shelf, peak, tilt, bandpass, notch, high shelf and high cut
- Up to twelve independent bands
- Freely adjustable gain, frequency, bandwidth, resonance and filter slope
- Three different phase modes, including the novel mixed phase mode with adjustable latency
- Choose channel mode for each band independently (mid, side, left, right or full processing)
Learn more about Equalize 2.
Verberate
Acon Digital Verberate is an algorithmic reverb plug-in that simulates real acoustical surroundings with a new degree of realism. Several conventional building blocks in traditional digital reverb design have been replaced by novel methods that allow Verberate to produce convincing early reflections and the dense reverberation tails that characterize impulse response measurements of real acoustical spaces. The result is a clean, unobtrusive sonic quality and a reverb that blends seamlessly into a mix. This is the reverb for those who like clean and realistic reverbs like convolution reverbs, but are in need of more flexibility and tweaking possibilities without sacrificing realism.
Highlights
- Highly realistic simulation of real acoustical spaces
- True stereo processing
- Uncluttered user interface
- Sensible set of parameters
Learn more about Verberate.
Restoration Suite - DeNoise
DeNoise is a plug-in designed to reduce stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise. Great efforts have been put into preserving as much of the original signal as possible during the noise reduction process. As a result, DeNoise can reduce or in many cases completely remove the noise in a very transparent manner without loss of transients, attacks or “air” in the recording.
- Advanced algorithms reduce stationary noise efficiently with minimal impact on the wanted material
- Transient detection ensures that transients remain untouched throughout the noise reduction process
- Effective temporal smoothing reduces “musical noise” artifacts
- Adaptive estimation of noise profile or estimation based on noise only
- Graphical representation of input frequency spectrum and the noise profile
- Frequency emphasis filter
- High and low shelving filters with variable slopes (-3 to -96 dB / octave)
- High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves)
- Graphical representation of frequency response
- Editing of filter settings through handles in the frequency response curve
- Residual signal mode allows you to listen to the removed signal
Learn more about DeNoise.
Restoration Suite - DeHum
DeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise.
- Remove hum and buzz with minimal loss of the wanted signal
- Novel sinusoidal re-synthesis algorithm (preserves wanted signal to a much larger extent) or conventional notch filter mode
- Adaptive mode allows removal of hum signals with a fluctuating fundamental frequency
- Automatically removes up to 16 harmonics
- Optionally to targets only odd harmonics
- High resolution spectrum analysis of the input signal
- Visual indication of the estimated fundamental frequency as well as the harmonics
- Residual signal mode allows you to listen to the removed signal
Learn more about DeHum.
Restoration Suite - DeClick
DeClick is designed to remove impulsive noise such as clicks and crackle. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings due to drop-outs or distorted data packets.
- Seperate detection and restoration of clicks and crackle
- Very accurate detection of click start time and duration ensures minimal impact on the wanted material
- Digital drop-outs detection mode for detection of asymmetrical clicks (typical result of discontinuities after loss of short fragments of digital data)
- 64 bit precision in the internal processing
- Two-pass high resolution interpolation algorithm ensures very transparent estimation of the original signal during clicks
- Visual curve meters show the clicks and crackle removal rates
- Residual signal mode allows you to listen to the removed signal
Learn more about DeClick.
Restoration Suite - DeClip
DeClip restores audio recordings distorted by analog or digital clipping.
- Reconstructs peaks distorted by analog or digital clipping
- Separately adjustable upper and lower threshold values
- Optional upper and lower threshold lock simplifies the workflow in the case of symmetrical clipping
- Graphical representation of the input and output level histograms makes it easy to set the threshold values and monitor the restoration process visually
- Threshold values can be adjusted directly from the level histograms by dragging upper and lower threshold handles
Learn more about DeClip.
Ultimate Audio Quality
Acoustica offers support for state-of-the-art audio resolutions up to 32 bit and sampling rates up to 384 kHz, ensuring that all of your work comes across at the highest quality. Acoustica Premium Edition even supports multichannel audio recording and editing such as 5.1 and 7.1 surround sound.
Spectral Editing (Premium Edition only)
The new spectral editing mode in Acoustica Premium Edition 7 allows precise restoration work since processing can be limited to isolated regions in time and frequency. Selection tools such as brush, freehand or magic wand are available. The retouch tool removes noise based on a freely selectable reference from the surrounding audio.
Audio Restoration
Integrated audio restoration tools help you get the most out of recordings impaired by background noise, clicks, crackle, clipping or missing high-frequency content. The Premium Edition contains the same set of professional tools as our Restoration Suite.
Spectral Editing
The new spectral editing mode in Acoustica Premium Edition 7 allows precise restoration work since processing can be limited to isolated regions in time and frequency. Selection tools such as brush, freehand or magic wand are available. The retouch tool removes noise based on a freely selectable reference from the surrounding audio.
Multitrack Editing
Mix audio from different tracks in real-time, insert audio effects or create cross-fades easily in multitrack sessions. You can loop or time stretch clips directly from the multitrack timeline and automate volume, pan and send levels.
Processing Tools, Chains and Plug-ins
High-quality processing tools ranging from a new suite of dynamic processing tools to EQ and effects like reverb and chorus are integrated along with sample rate conversion, time stretching and pitch shifting. You can create chains of audio processors and apply or store them for later use. A powerful batch processor is included and VST, VST3 and AU (Mac only) plug-ins are supported.
Analysis Tools
Analysis tools such as spectrum, spectrogram and wavelet analysis are available. Real-time analyzers visualize your audio output (EBU R-128 loudness, level, spectral and phase correlation).
Features
General Features:
- Supported driver models for audio recording and playback (Windows): ASIO, Windows Audio (exclusive and non-exclusive), DirectSound
- Supported driver models for audio recording and playback (Mac): CoreAudio
- Maximum number of audio channels: 8 (up to 7.1 channel surround)
- Maximum sample rate: 384 kHz
- Supported bit resolutions: Up to 32 bit PCM or floating-point
- Time formats: Hour:Min:Sec:MS, SMPTE (23.98, 24, 25, 29.97 drop frame, 29.97 non-drop frame, 30 fps), Sample index, Bar:beat:tick
- Timer and input level triggered recording
- Number of undo and redo levels - Unlimited
- Ultra-fast non-destructive editing engine
- Standard-cut, copy, paste and mix editing
- Optional Auto de-click at splice points
- Drag and drop editing
- Support for labels and region markers
- Cleaning Wizard that simplifies LP or tape to CD transfers
- Regions can be saved as separate files
- Tabbed MDI user interface
Spectral Editing:
- Switch between waveform and spectrogram view in clip editor
- Time-frequency selection tools - Area (time range, frequency range or combined), brush, freehand and magic wand
- Retouch tool (attenuates noise in time-frequency selections)
- Overtone selection - Yes, alt + mousewheel or arrow up / down sets number of harmonics
- Frequency scales - Mel scale, logarithmic or linear
Multitrack Editing:
- Multitrack editor
- Maximum number of rendered audio channels - 8 (including 7.1 and 5.1 surround)
- Maximum number of tracks - Unlimited
- Processing chains - Track inserts, master inserts and send effects
- Loop or time stretch clips
- Crossfade between clips
- Automation curves - Volume, left to right pan, back to front pan and send level
Real-Time Analysers:
- Level meter with true or sample peak, peak hold and RMS indicators
- Level meter modes - K-20, K-14, K12 and digital full scale
- Customizable level meter ballistic settings
- Loudness meter (EBU R-128 compliant)
- Spectrum analyzer
- Phase correlation meter
- Time display
Seamlessly Integrated Plug-Ins (only available inside application):
Acoustica Premium Edition includes the following plug-ins as VST, VST3, AAX and AU plug-ins:
- Restoration Suite 2
- Mastering Suite
- Acon Digital Verberate 2
Audio Processing:
- Processing chain
- Plug-in support - VST, VST3 and AU
- Real-time preview audio processors
- Preset manager - (for internal tools)
- Volume curves
- Fade ins and outs with five different curves
- High-quality sample format conversion
- Dithering and noise shaping
- Channel mixer for stereo image adjustments
- Batch processing (files and complete folder structures)
- Add sampler loops
- Loop fader (cross-faded loops)
- Test signal generator
- Dynamics (compressor, expanded and gate)
- Limiter
Audio Restoration:
- DeClick - (from Restoration Suite 1.8)
- DeClip - (from Restoration Suite 1.8)
- DeNoise - (from Restoration Suite 1.8)
- DeHum - (from Restoration Suite 1.8)
- Vitalize
- Automatically remove DC offsets
Effects:
- Reverb - Verberate
- Convolution reverb
- Echo (multitap delay width feedback filtering and optional stereo bouncing)
- Modulate (flanger and phaser)
- Chorus
- Transpose (pitch change)
- Time Stretching
- Harmonizer with up to four voices
File Formats:
- Supported audio formats - WAV, WAV64, AIFF, MP4 (AAC – Windows 7 or higher required), MP3, OGG, FLAC, WMA
- Edit ACID information i wave files
- Integrated file browser pane in the workspace
CD Projects:
- Integrated audio burning
- Disc At Once burning (DAO) for gapless recording
- Import audio tracks from CDs
- Supports buffer underrun protection schemes
- Save and load CD projects
- Erase CD-RWs
Learn more about Acoustica 7 Premium Edition.
DeVerberate 3
DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The new version includes an entirely new algorithm based on deep learning for fully automatic reverb reduction of recorded dialogue. By training a neural network on thousands of high-quality voice recordings and a wide variety of acoustical surroundings, the artificial intelligence can automatically separate dialogue from reverb.
The reverb reduction algorithm from version 2 is included for music and other audio sources. Both algorithms split the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. Additionally, a unique Early Reflections Filter that works in conjunction with the reverb suppression algorithms is included. The Early Reflections Filter uses sophisticated statistical methods to estimate the so-called impulse response of the early reflections, which is then used to cancel out the effect of the early reflections.
Features
- Fully automatic dialogue reverb reduction based on deep learning
- Manual mode for music and other signal types with adjustments of the original reverberation’s level and decay times
- Separate adjustments of the direct sound and the reverberation levels
- Early reflections filter
- Frequency spectrum representation of the of the following signals:Input signal, Output signal, and Estimated reverberation
- Frequency emphasis filter for the the reduction level
- High and low shelving filters with variable slopes (-3 to -96 dB / octave)
- High and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves)
- Graphical representation of frequency response
- Editing of filter settings through handles in the frequency response curve
- EUCON and full Pro Tools HW controller support
Learn more about DeVerberate 3.
DeFilter
DeFilter is an efficient tool to even out tonal imbalances in a mix or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.
Great care has been taken to provide a user interface that is straightforward to use. Frequency-dependent correction levels can be defined using custom curves so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.
Use Cases
- Fix issues in a mix prior to mastering
- Reduce resonances caused by untreated room acoustics
- Matched equalization (automatic equalization based on a reference signal)
- Improve clarity and intelligibility of speech
- Instant fix for nasty comb filter effects
Acon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64-bit versions are available (Windows-only) and the plugin formats VST, AAX and Audio Units (Mac only) are supported.
Features
- Automatically estimates correction filter that evens out the frequency spectrum
- Removes resonances and comb filter effects
- Predefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal
- Correction filters can be saved and used as a reference for matched equalization
- Adjustable length of the correction filter from 1 to 20 milliseconds
- Frequency spectrum representation of the following signals:
- Correction filter
- Input signal
- Output signal
- Frequency emphasis filter for the level of correction
Learn more about DeFilter.
System Requirements
PC Version (Windows)
- Windows 7 / 8.x / 10 (64 bit only)
- Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
- 1366 x 768 display resolution (1920 x 1080 or higher recommended)
- 4 GB RAM
Macintosh Version (OS X)
- OS X 10.9 or later (macOS 11 Big Sur and M1 Apple Silicon Mac supported) (64 bit only)
- 4 GB RAM
PRODUCER HIGHLIGHTS
The sounds and controls that matter
- Acoustica Post Production Suite from Acon Digital for mixing, mastering, editing or restoration workflows
- Designed for practical studio use with a clear signal-processing purpose
- Suitable for producers, engineers, editors and post-production users
- Available through Plugin Boutique with affiliate tracking preserved
- Fits into the broader Acon Digital plugin catalogue on AudioByRay
DEEP DIVE
Acoustica Post Production Suite in the studio
Acoustica Post Production Suite review and buying guide
Acoustica Post Production Suite is part of the Acon Digital catalogue, a range that is known for practical audio editing, restoration, reverb, EQ, drum and utility tools. On AudioByRay this product is positioned for users who want a clear overview before they click through to Plugin Boutique. The goal of this page is not to replace the official product page, but to help producers, mix engineers, mastering engineers and post-production users understand where Acoustica Post Production Suite fits in a real studio workflow.
Acon Digital products are often chosen by people who need controlled processing rather than hype-driven effects. That makes Acoustica Post Production Suite especially relevant for sessions where reliability, clean signal handling and repeatable results matter. Depending on the exact product type, it can support tasks such as improving dialogue, reducing unwanted ambience, balancing tone, adding space, handling drum material, preparing masters or creating a more polished final mix. The most important question is whether the tool solves a specific problem in your own chain.
When comparing Acoustica Post Production Suite with other plugins, look at the source material you work with most. Music producers may care about fast decisions and musical controls. Mixing engineers may value transparency and gain staging. Mastering users usually need precision, recall and confidence under small adjustments. Editors and post-production users often need speed, intelligibility and cleanup without obvious artifacts. Acon Digital tends to appeal to these practical use cases because the tools are focused on getting work done without overcomplicating the process.
The product page at Plugin Boutique is still the best place to confirm current pricing, compatibility, version information, upgrade eligibility and any temporary deals. Audio software availability can change quickly, so this AudioByRay page keeps the recommendation conservative: check the official listing, compare the product with related Acon Digital tools, then decide whether it fills a gap in your setup. If the product is an upgrade or bundle, confirm the qualifying product requirements before purchase.
For workflow planning, Acoustica Post Production Suite should be judged on three points: what problem it solves, how often that problem appears in your sessions, and whether you already own another plugin that covers the same job. A focused tool can be more valuable than a large bundle when it saves time every day. A bundle can be better value when several related tasks appear in your workflow. This is why AudioByRay links Acoustica Post Production Suite to other Acon Digital products, so readers can move between related options before making a final choice.
Producers working inside modern DAWs should also check operating system support, plugin formats and copy protection before buying. Compatibility is especially important when a plugin is used in client projects, templates or long-term archive sessions. Restoration and post-production tools also deserve careful testing on real material because the best choice often depends on the noise, room tone, dialogue or source recording. Reverb, EQ and mixing tools should be tested at realistic monitoring levels rather than judged only from presets.
In short, Acoustica Post Production Suite is worth considering when you are building an Acon Digital focused workflow or when the product addresses a specific editing, mixing, restoration or production challenge. Use the manufacturer information, the Plugin Boutique listing and the related AudioByRay pages together. That gives you a safer decision path: understand the role of the tool, compare alternatives, verify compatibility and then buy through the tracked product link when the fit is clear.
For purchase intent, the safest approach is to treat this page as a shortlist entry. If Acoustica Post Production Suite matches the job you need to solve, open the official listing, verify the latest license terms and compare it with the closest Acon Digital alternatives. Pay special attention to upgrade wording, because some Acon Digital offers are full products while others require ownership of a previous version. Also check whether the plugin is most useful as a standalone processor, as part of a bundle, or as an add-on to an existing repair, reverb, EQ or mastering chain.
AudioByRay keeps the recommendation practical: buy Acoustica Post Production Suite when it saves time, improves a recurring task or gives you cleaner results than your current tools. Do not buy it only because it is discounted. A plugin earns its place when it helps you make better decisions in the session, reduces repetitive editing work or makes the final result easier to deliver. That is the context behind this Acon Digital listing and the reason it is connected to related products on the site.
For final evaluation, also think about maintenance and repeat use. Acon Digital tools are most valuable when they become part of a reliable template or repeatable repair chain. If Acoustica Post Production Suite solves a rare problem, it may still be worth owning, but it should be compared carefully against the bundle options. If it solves a weekly problem, the time saved across many sessions can make it a stronger purchase than a broader but less focused plugin.
Keep the final check simple: confirm that Acoustica Post Production Suite supports your DAW, your operating system and the plugin format you actually use. Then compare the current price with the time it can save in editing, restoration, mixing or delivery. That combination of compatibility, workflow value and tracked purchase path is the reason this AudioByRay page exists.
If you are unsure, place Acoustica Post Production Suite next to the tools already in your collection and ask whether it removes friction from a task you actually perform. That is the clearest signal for a sensible purchase.