Industrial techno Mastering

Industrial techno is a subgenre of techno and industrial dance music that originated in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! also had a profound influence over the genre’s development. The genre has seen a resurgence in the 2010s, spearheaded by acts such as Adam X, Orphx, and Ancient Methods, and others later like Blawan and Karenn. As a result, it has gained a significant fanbase from the post-dubstep audience. It is not to be mistaken with Techno Industrial, which is in essence similar to the power noise/rhythmic noise subgenre. The different terminology is used depending if one is coming from a techno perspective or industrial perspective, with Industrial Techno having more techno-inspired rhythmic section with many reverb and wall-of-noise or sci-fi effects, while Techno Industrial is closer to rhythmic noise in composition, with a distorted rhythmic section.

Other artists associated with industrial techno include Cut Hands, Helena Hauff, Forward Strategy Group, Surgeon, Michael Forshaw, Jeff Mills, Regis, Dominick Fernow and Mike Banks. Perc Trax record label has been credited with the revival of the genre in the UK, with artists such as Perc, Truss, Hppa and Ansome.

Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.^{[citation needed]}

Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case the master is lost, damaged or stolen.