If you want your chorus, bridge, breakdown, or other section of the song to stick out during a live performance then all that is needed is some automation.
Just like any machine with different settings it can be difficult distinguishing one from another but there are few ways which will allow for an impressive result!
One way would be to automate certain sections and have each sound slightly louder than others – this allows listeners to hear them more distinctly in contrast with the rest of the song.
To do so simply find what goes through your limiters (i.e., gain) function within automation and increase its intensity just on those specific parts where necessary by using time-based control such as “Attack” tempo detecting functions when setting up these parameters yourself manually;
You see, I’m always looking to make my tracks sound as impressive and loud as possible.
Well that’s where automation comes in handy! One of the best tools for this is saturation; it will add warmth to your track with a few tweaks here or there.
But don’t stop at just one method–try increasing high-frequency amplitude using an automated shelf (perhaps from -6dB up +3dB), which may give you more control over how much high end frequencies are desired on different parts of your mixes throughout changes during mastering stages, without having to have separate settings for each instrument group within the song.